The Cosmopolitan Evergreen and the Global Digital

<p>Examines how Patrick Geddes’s <em>The Evergreen: A Northern Seasonal</em> (1895-96) used the affordances of fin-de-siècle print culture to imbricate the regional and the transnational, and shows how the magazine’s digital remediation on <em>Yellow Nineties 2.0</em> makes its cosmopolitan vision newly accessible to global audiences today.</p>