Examines how Patrick Geddes’s The Evergreen: A Northern Seasonal (1895-96) used the affordances of fin-de-siècle print culture to imbricate the regional and the transnational, and shows how the magazine’s digital remediation on Yellow Nineties 2.0 makes its cosmopolitan vision newly accessible to global audiences today.
Funding
SSHRC Insight Grant
History
Editor
Mathew Creasy
Contributor
Lorraine Janzen Kooistra
Language
Englis
Publisher Citation
Studies in Scottish Literature > Vol. 48 > Iss. 1 (2022)