Canadian Experimental Cinema since the 1990s: Retro-Vision and Trans-Vision

<p dir="ltr">A discussion of the treatment of time and space in 90s experimental cinema coupled with a consideration of globalization and its relationship to televisual media. This sets the stage for an analysis of the ways experimental cinema uses dead time and visual plasticity to challenge the concept of a ‘window on the world’ and a hysteria for the present.</p>